I’ve just had a piece published in Peril Magazine, looking at how the Chinese art world harnessed digital technology during COVID-19.
“As racist discourse spread, I felt impelled to continue ‘Mixed Up’, my small-scale project in intercultural diplomacy. I also felt defeated by the reality of being a solitary artist trying to make a difference. This is why a government-supported, three-month-long festival like Asia TOPA is so groundbreaking, and integral to offering Australians a more nuanced view of Asian cultures.”
Read the full article here: Art in an Apocalyptic World